About Me

My name is Yoram Erez. I was born in October 1966, and I have always lived in Israel. I am a technology buff, a vegan, and an avid animal lover. In 2009, I founded the organization PTROA, which works to protect animal rights throughout the world. Art has always been a part of my life. I like to work with watercolors. I think that there is an artist inside everyone, and that art is not the province of the elite, but of anyone who wants and knows how to express it.

In art, freedom is infinite, you’re not competing against anyone, and you are free to express your thoughts and ideas in your own way, as you see them. I take my art from within myself, and express it in my own ways, without being influenced by this or that art movement.

Latest works

About The Technique

The technique presented here is something I began developing back in my teens. It started with attempting to imitate pencil and charcoal sketches by using layers of black and white paper. Later, I tried pieces of paper in shades of grey. I very quickly began experimenting with different materials, until I arrived at the material that my works are currently made of – duplex cardboard, which is easy to paint on one side, and easy to glue on the other side. After I was completely satisfied with the materials and the type of paint, I began trying to challenge myself in the complexity of the work. The record was when I reached 17 layers, but I learned very quickly that the optimal number of layers is 12. Today, after a great deal of experience, I can think about the content of the art and achieve perfection from every aspect.

The piece’s base is made out of 4 millimetres thick plywood . The back of the base is reinforced with solid wood and industrial glue. The next layer is carton and this is actually the first layer of the artwork. This material perfectly marries the plywood and the other layers. The rest of the layers are constructed out of duplex carton. Its weight varies between 250g­350g, depending on the complexity of the layers. This is the best material for the job because it’s smooth and sticky on one side and rough and textured on the other. All the other pieces are glued down with industrial plastic glue. The coloring is done by using three layers of high quality acrylic paint from Winsor & Newton’s Galeria series. When finished, the piece is finished with a matt lacquer to protect it from ageing. The piece is presented without a frame to conserve its authenticity. When looking at the side of the piece you can see the whole process, just as a tree reveals its past and secrets.